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The Spring of Beynac

September 12, 2016
11:53 AM

Hotel Bonnet.jpg

From Freda White’s “Three Rivers of France”(1951)

The Spring of Beynac

Only the road divides the cliff at Beynac from the Dordogne.The precipice starts up from the water in a series of pitches and overhangs. Houses are built on every narrow terrace. On the top the castle juts out over 450 feet of space; with its great towers and battlements it is the finest medieval fortalice on the river. The Hôtel Bonnet stands at the bottom beside the spring.
Here is what the French guide books always call “the centre of animation”, when they describe a place. It is not a grand fountain but merely an iron pipe sticking out of the cliff, from which a spout of water flows into an oblong stone basin at the roadside. A second basin takes the overflow and then the water is led under the street into the Dordogne.
It took geological ages to make the spring in Beynac but the spring made the little bourg about 800 years ago. Without it the castle would never have been set upon that cliff, however madly the feudal barons were addicted to perching their forts upon rocks. The castles itself has cisterns upon its roof but the water they collect would not last through a dry summer let alone suffice for the people and beasts who fed the lord and his men-at-arms. Till a benevolent government tapped the rock further up and made three or four pumps for the upper houses, all the Beynac people came down night and morning to fill their buckets at this spring and its companion down the road.
The spring drains the hillside behind the cliff. It runs pure and cold strong and unfailing. Even in the terrible drought of 1949 its flow never diminished.
Today the Spring has been the scene of great activity. From early morning its second basin has been full of sheets in soak. The spout and the first basin, of course, are strictly reserved for the use of men and beasts, nobody would dream of rinsing their wash in water which the animals must drink. Two big black cauldrons have been simmering over wood fires on the ferry pier. Dozens of sheets have been boiled in them, soaked in the basin, and carried to walls from where they will be taken snowy and smelling of sunshine.
But after the silent moveless heat of the day all Beynac wakes up in the evening. Then the guests at the Hotel Bonnet, sitting under the Virginia shade of the terrace, can observe the life of the village- or as much of it as happens outside the old houses, outside the stone walls and the stone shutters. For its social activity concentrates on the few yards of space between the fountain and the hotel, where the road widens to a triangle and below the road the pier runs down to make a landing for the ferry.
As the heat abates bathers drift across the road, board the punts, the ‘barques’ which are the river transport, and pole themselves to the far side, called , with some exaggeration , the beach. The river is shallow with a fairly strong current. Later in the summer its level will be low; even in June it is barely cool. Still it is welcome to skins baked by the summer glare. Some of the bathers are Beynac men and boys, others hotel visitors who may include women too. But the older amphibians of Beynac tend not to bathe but to fish. The sportsmen stand in barques and use rod and line as the fish begin to rise in the dusk. Those who are in need of larger quantities use nets which are sustained by floats, to be lifted in the morning. Fishing is the principal sport of the riverside people; it would be true to say that all of them fish and most of them do. But they fish for food as much as for sport.
The last pot-load of sheets is hardly cleared when the children gather for their nightly game. There are only about ten of them, even counting the Blonde Family of foreigners from Paris who have taken the house next to the Inn for the season. They range from a lad of fifteen who is already making his living as a farm hand, to a couple of two-year-old toddlers. In so small a company there can be little distinction of age and certainly none of class. They play catch, at which they are extremely adept, even with the babies running in and out between their legs and wailing for the ball. Then the game breaks up and the children take turns on the bicycle of the boy of the Blonde Family. He is thus able to exercise patronage and power (tempered by a strong sense of justice in the others), and even to curry favour of the farm boy whom he worships. His small sister who is the image of Alice in Wonderland, is hunting feverishly in the tiny vegetable garden beside the pier, and Daniel, the hotel grandson, who has a tender heart, has gone to help her. ‘It is her tortoise’ says the waitress who has come to serve the watchers on the terrace, ’it preoccupies her’. But now maternal voices are heard calling the children, with that unmistakable evening note, on a rising tone of menace, which threatens ’No supper if you don’t come at once!’ In a moment the children have gone.
Then come the beasts. First a red cow is led out of her byre beneath a house and watered. Then a horse with a youth in its back. Then the farm-boy reappears, leading two oxen on a yoke. He does not let them drink, perhaps they cannot while they are still harnassed. Then a man from a workshop up the cliff. He strips to the waist and washes his head and arms; he must be a devotee of modern hygiene. At intervals people come and fill their jugs at the cold source. There is running water at the inn but it is warm with lying in a cistern, and all the visitors, last thing before going to bed, fill a wine bottle apiece with spring water to drink during the night.
The fishers have all gone home now. They stop for a few minutes to exchange news before dispersing. The river curves away, gleaming and polished steel under the jade green sky, empty and still towards the distant railway-bridge. To the east where stands the red cliff, the rival castle , the ruin of Castlenaud, still catches a sunset reflection. Two or three young men sit on the wall still, but will anyone come out to join them ? Perhaps not. Perhaps when their laughter dies away, there will be no noise except the spring plashing steadily into its basin.

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  Martin Dwyer
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